Born in the breakbeat of Detroit, where sound and struggle collide, Sean bends time, language, and the weight of history into stories that cut deep and heal slow. Playwright. Poet. Director. DJ. He sculpts moments from the echoes of ancestors, unearthing freedom songs buried beneath the static.

He’s staged ghosts at Mintons in Harlem, translated fire to French stages, and cracked open Shakespeare in the favelas. His words have marched through the halls of museums, sparked from Black Detroit’s underground, and spun through the frequencies of queer nightclubs. A griot in the gig economy, flipping tips into testimony.

From cell blocks to sound booths, from August Wilson’s backyard to the Theatre of the Oppressed, Sean builds portals, not plays. Audiences don’t just watch—they bear witness. They step inside the story, wrestle with it, leave changed.

His work? A freedom song, remixed. A revolution, scored in bass. A stage where the margins take center.

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